Mati ja sport... on ilmunud raamat "Tallinna Kalevi kergejõustikukool 60", kus on üks peatükk pühendatud ka Matile, saame lugeda tema sportlaseteest ning seosest selle kooliga.
Põnev lugemine!
Lisainfo: https://kalevkjk.ee/toode/raamat-tallinna-kalevi-kergejoustikukool-60/
28. augustil 2022 avati Estonia teatri taga Pärnu maantee ääres asuval kõnniteel Mati Palmi- kui teeneka estoonlase- mälestuskivi nn jalajäljed.
Skulptor Tiiu Kirsipuu kujundatud mälestusplaadid teatrit ümbritsevatel tänavatel sümboliseerivad teenekate estoonlaste jalajälgi, mida on koos Mati Palmi plaadiga nüüd kokku 40.
Avamisel kõnelesid kauni traditsiooni algataja Arne Mikk, Rahvusooper Estonia peadirektor Ott Maaten, AS Infortar juhatuse esimees Ain Hanschmidt ja Estonia Seltsi juhataja Mart Mikk. Mati Palmi abikaasa Eva pani mälestuskivile 2 viljapead ja poeg Ülar andis Estonia teatrile üle Mati Palmi loomingulist teekonda kokkuvõtva raamatu.
Estonia teatri laat toimub pühapäeval 28.08.2022. Kell 12.55 avatakse Pärnu maantee poolsel kõnniteel kolme estoonlase, Teo Maiste, Mati Palmi ja Sulev Nõmmiku mälestuseks nende jalajäljed. Avamisel kõnelevad selle kauni traditsiooni algataja Arne Mikk, Rahvusooper Estonia peadirektor Ott Maaten, AS Infortar juhatuse esimees Ain Hanschmidt ja Estonia Seltsi juhataja Mart Mikk. Oodata on muusikalist üllatust. Skulptor Tiiu Kirsipuu kujundatud mälestusplaadid teatrit ümbritsevatel tänavatel sümboliseerivad teenekate estoonlaste jalajälgi, mida siiani on sillutisse paigaldatud juba 37 paari.
Raamat "Mati Palm: loominguline teekond" on nüüd digitaalsel kujul Eesti Rahvusraamatukogu andmebaasis DIGAR üleval ja kõigile tutvumiseks.
Raamat "Mati Palm: loominguline teekond" DIGARis
Mati Palm : loominguline teekond : ooperilaulja / Bass-bariton. Lauluprofessor
Koostaja: Pille Palm,
Fotograaf: Kaupo Kikkas,
Kujundaja: Kristo Kooskora
KIRJASTAJA: EUROLEGEND OÜ
Ilmumisaeg: 2022
Keel: eesti
Deposiitor: Eurolegend OÜ
Laad: raamat
Autoriõigusega kaitstud
ESTER b54895911
ISBN 9789916410264 (köites)
Püsilink: http://www.digar.ee/id/nlib-digar:652505
Fotomeenutusi kontserdilt 14. veebruaril 2022 Eesti Muusika- ja
Teatriakadeemias.
Kontserdisarja „Jubilate“ raames tähistati 14.
veebruaril Mati Palmi 80. sünniaastapäeva.
Muusikakadeemia rahvast täis saali täitsid kauni muusikaga Mati Palmi õpilased Juuli Lill, Monika-Evelin Liiv, Pavlo Balakin ja Märt Jakobson ning Mati Palmi fondi stipendiaadid Kristel Pärtna, Kadi Jürgens ja Karis Trass. Ovatsioonid ei tahtnud lõppeda! Klaveril saaatsid ooperistaare suurepärased pianistid Piia Paemurru ja Marje Lohuaru. Erikülalistena astusid üles ka Mati sugulane Kalle Sepp ning lapselapsed Helene Palm ja Tommi Tammemäe. Matit meenutasid Ivari Ilja, Arne Mikk ja Voldemar Kuslap. Õhtut juhtis Eero Raun.
Täname ka Juhan Trallat, kes kahjuks ei saanud haiguse tõttu osaleda, aga aitas kontserti korraldada.
Fotod: Erik Peinar
KAVA
Avasõnad: Ivari
Ilja
Karis Trass
G. Rossini - Rosina aaria „Una voce poco fa" oop. „Sevilla habemeajaja“
Kadi Jürgens
V. Bellini - Romeo retsitatiiv ja aaaria „Tu sola…
Deh! tu, bell’ anima“ oop. „Capulettid ja Montecchid“
Karis Trass ja Kristel Pärtna
L. Delibes - Mallika ja Lakmé duett oop. „Lakmé“
Kristel Pärtna
E. Tamberg - Roxani aaria oop. „Cyrano de Bergerac“
Pavlo Balakin
G. Rossini - Don Magnifico aaria oop. „Tuhkatriinu“
Monika-Evelin Liiv
M. de Falla - „Nana”
Juuli Lill
D. Šostakovitš - Hispaania laul No.2 „Tähekesed“
Märt Jakobson
V.Kapp - „Kui lõpeb suvepäeva viimne vine“
Voldemar Kuslap – Luuletus „Inimene tuulejakis“ Salme Ekbaun „Õhtu tiiva all“
Tommi Tammemäe
Früügia tango, Harri Wessman
Kalle Sepp
A.Kapp – „Sa oled mu südame suvi“
Helene Palm ja Kalle Sepp
Tangled (Rapuntsel) - I See the Light (Ja kui kiirgab
taeva kaar) (Alan Irwin Menken / Glenn Evan
Slater)
II pool
Arne Mikk- Meenutades Mati Palmi
Karis Trass
Ch.Gounod - Siebel'i aaria "Faites-lui mes
aveux" oop. „Faust“
Kadi Jürgens
J. Massenet - Charlotte´i „Kirjade aaria“
oop. „Werther“
Kristel Pärtna
W.A. Mozart - Öökuninganna aaria "Der
hölle rache" oop. „Võluflööt“
Märt Jakobson
G.Verdi - Attila aaria „Uldino! Uldin! Non hai
veduto?“ oop. „Attila“
Monika-Evelin Liiv
P. Mascagni - Santuzza aaria „Voi lo
sapete“ oop. „Talupoja au“
Pavlo Balakin
G. Verdi - Krahv Waltheri aaria oop. "Luisa
Miller"
Juuli Lill
G. Bizet - Habaneera oop. „Carmen“
tähistatakse 14. veebruaril algusega kell 19.00 Mati Palmi 80. sünniaastapäeva.
Sündmusel astuvad üles tema kolleegid, õpilased ja sõbrad.
Sissepääs tasuta pileti alusel, mis on saadaval Fientas: https://fienta.com/et/jubilate-mati-palm-80
Lisainfo FB: https://fb.me/e/4q9nAg6Kq
Tema sume
bassihääl on pannud vakatama isegi tagumised read mitte ainult Estonias, vaid
ka maailma suurimates teatrisaalides. Palju näinud ja käinud mees peab ainsaks
koduks ikkagi Eestit. Tema füüsiline vorm annab märku, et ta on heitnud ketast
ja tõuganud kuuli.
Meelis Kompuse
stuudiokülaliseks on Rahvusooper Estonia kauaaegne solist Mati Palm. Režissöör
Kalev Lepik.
Saade avaneb lingil:
https://arhiiv.err.ee/vaata/tahelaev-mati-palm
Detsembris 2021 ilmus Mati
Palmi (13.01.1942-28.05.2018) 80-ndale sünniaastapäevale
pühendatud CD plaat, millel kuulsad ooperiaariad Mati esituses.Ostusoovi korral kliki sellel
lingile.
Kuninglik bassilaulja MATI PALM
Püüdes lühidalt kirjeldada Mati Palmi lauljaisiksust, meenub kõigepealt Fjodor Šaljapini mõte: „Kunstis on asju, mida ei saa sõnadega seletada. Jõuad teatud piirideni ja kuigi sa tead, et nende taga on veel tohutud avarused, ja tead, mis on nendel avarustel, ei suuda sa seda ometi seletada. Inimesel ei ole selleks sõnu. See ulatub juba tunnete piirkonda, mida ei saa väljendada sõnades.“
Mati Palmi repertuaaris oli üle 80 lavarolli, üle 50 bassipartii vokaal-sümfoonilistes suurvormides ja 28 laulutsüklit. Ligi 500 soolokontserdi repertuaar ulatus vanaklassikast tänapäevani välja. Kuid ainuüksi faktilise materjali kaudu ei saa me ettekujutust Palmi hääle kõlajõu või intonatsioonirikkuse kohta.
Pärast laulmise põhitõdede omandamist Tallinna Riiklikus Konservatooriumis Jenny Siimoni juures ning täiendõpet Moskvas andsid tema andele lõpliku lihvi kaks hooaega Milano La Scala laulukoolis. Ühtlane ja kauni tämbriga kõla kogu registri ulatuses, oskus pikki fraase laulda ning jõulise veenvusega võetud kulminatsioonid – just neid omadusi vajavad kõigepealt Verdi ooperite suurrollid: Attila, Philipp II, Zaccaria ning de Silva.
Me võime imetleda paljusid maailma tipplauljaid, kuid de Silva aaria puhul pole ma kuulnud ühtegi esitust, mis ületaks Mati Palmi oma. Kui ta 1972. aastal Estonia gastrollide ajal tuli sellega Moskva publiku ette, nõuti selle kordamist lausa kolmel korral!
Nimiosa Wagneri „Lendavas hollandlases“ on ta laulnud soome, eesti ja saksa keeles – alati viimistletud häälduse ning diktsiooniga.
Minul ja mu põlvkonnakaaslastel on olnud õnn Mati Palmiga koostööd teha paljude lavastuste puhul, kolleegideks kõik Estonia tolleaegsed juhtivad solistid ja tema oli kahtlemata üks paremaid selles reas. Koos lõigati loorbereid Savonlinnas, Stockholmis, Moskvas ja Pariisis.
Loodan, et selle heliplaadi kaudu jääb Mati Palmi hääl elama üle aegade ning annab emotsionaalse laengu, mida sõnades kirjeldada ei saa.
Arne Mikk
ooperilavastaja, kauaaegne rahvusooperi Estonia peanäitejuht
When trying to describe briefly Mati Palm as a singer personality, I remember at first the idea of Fjodor Šaljapin: „There are many things in art which cannot be explained in words. You reach a certain limit and although you know that there are vast extensions and you know what exists at these extensions, yet you can not explain it. Human being has no words for that. It reaches the scale of emotions that cannot be expressed by words“.
Repertoire of Mati Palm included more than 80 stage
roles, more than 50 bass parts in vocal-symphonic forms and 28 song cycles. The
repertoire of nearly 500 solo concerts ranged from old classics to the modern
day. However, facts alone cannot give us the slightest idea of the loudness
or intonation richness of his voice.
Having acquired the basics of singing at Tallinn State
Conservatory with Jenny Simon and further training in Moscow, he mastered his
talent for two seasons at the La Scala Singing School in Milan. Even and
beautiful timbre throughout the register, the ability and skills to sing long
phrases, culminations taken with strong conviction - these are the qualities,
required for great operatic roles of Verdi: Attila, Philipp II, Zaccaria and de
Silva.
We can admire many of the world's top singers, but in
case of de Silva's aria, I have not heard any performance that could exceed
Mati Palm’s. Having performed for Moscow audience during the 1972 Estonian
tours, he had to repeat his perfromance for three times!
Main role in Wagner's "Flying Dutchman" in
Finnish, Estonian and German – Mati performed it always with refined
pronunciation and diction.
I and people of my generation have had an excellent
possibilty and honour to collaborate with Mati Palm on stagings. Our colleagues
were the leading soloists of Estonia at that time, Mati Palm being unddoubtedly
on of the best among them. Together we enjoyed attention anda
applauses at Savonlinna, Stockholm, Moscow and Paris.
I hope that this record keeps the voice of Mati Palm
alive through ages and gives to the listeners the emotional charge which cannot
be described in words.
Arne Mikk
opera director, long-time general director of the Estonian National Opera
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"Opera is my view of the world, my lifestyle and conscience, oratorio
my love, chamber singing my hobby"
Studies
When graduating from high school, a
decision had to be made, what next? I had already been singing in choirs since
first grades, performed as a soloist and even won the first prize on singers
competition in Estonia. On the ohter hand, I loved sports as well. My singing
teacher Ants Sööt introduced me to professor Aleksander Arder who told me that
I had sufficient voice and also musical hearing enough to try to enter
Conservatoire singing preparation class. I was accepted. Besides singing
lessons I was an active sportsman for a while.
1962–1968 Tallinn National Conservatoire (Jenny
Siimon)
1972–1973 Mosow National Conservatoire, trainee (prof
Hugo Dietz)
1974–1976 La Scala singing school in Milan (Renata
Carosio, Renato Pastorino)
1983 Berlin Komische Oper, trainee
The singer must have at least two octaves
or a little more of work notes. The current range from the bottom mi-bemoll to
the sol-note - which is not much, a tertz over two octaves - is the fruit of
learning. This range enables you to sing all the partiis.
Career
1967 singer of opera choir at theatre Estonia
since 1969 opera soloist
1976–1980 lecturer at Tallinn National Conservatory
signing department
1988 planned guest soloist at Berlin State Opera
1990–2014 Professor of the Singing Department,
Estonian Academy of Music and Theatre
1995–2000 Head of the Singing Department, Estonian
Academy of Music and Theatre
Significant competitions
Success in singing is determined by
singer's skills and ability to organize one's own inner attitude. The spirit of
an athlete forced me to take part in competitions both near and far. I had been
a thrower and pusher in sports. Psychologically, the singing competition is not
different: you have to time precisely the peak of your abilities.
1967 – Competition of Estonian, Lithuanian and
Belarusian singers, II prize
1968 – Competition of singers of the Baltic states and
Belarus, II prize
1968 – Global youth festival in Sofia, goldmedal
1971 – Competition of singers of the Baltic states and
Belarus, I prize
1972 – X Francisco Viňase competition og vocalists in
Barcelona, II prize
If you do not win another medal or prize
in the new competitions, your previous medals will fade.
Roles
81 opera parts in 68 operas and 1 operetta
1235 performances during the year on 46 stages
In addition to Estonia, he has performed in opera
roles in 17 countries on 67 stages.
Toured with theatre Estonia with 17 operas in 10
countries.
Vocal symphonic works
When studying difficult vocal works, I have
thought twice in my life that if I can learn just one line from here, I am able
to learn the rest.
During 52 years, Mati Palm's repertoire included 54
major works at a total of 270 concerts.
In addition to Estonia, Mati Palm has performed in
large vocal symphonic forms in 10 countries.
The most performed work (33 times) is Verdi's
"Requiem", bass solo can be found on this record.
Concert activities
Mati Palm has given 442 solo concerts, 233 of them in
Estonia. He has performed with 15 orchestras and 7 groups, there have been 60
concertmasters.
First performances as a soloist were in school in the
mid-1950s and the last in 2018.
Concert repertoire of Mati Palm included 554 arias /
songs from 167 authors.
In total, there were 2741 performances, which is an
average performance every third day.
Recordings
9 music films have been created, in which Mati Palm
appears.
His voice has been recorded on 32 records, 5 of which
are solo records.
This particular record is 33rd record.
In addition, one can find more than 300 concert
recordings for radio and television
Echoes in media
Bass Mati Palm started the concert with the aria "Ella giammai
m´amo" from Verdi's opera "Don Carlo". It was clear from the
first notes that he was not in Italy by chance. Using his "thundering
voice", Mati Palm can really make the theatre shake.
Amedea Volta. La Provincia, 1.02.1976.
Bass Mati Palm has the power and confidence of a deep organ tone, singing
either Verdi or Rossini or the works of any composer. This soloist has a
personal relationship with the person being interpreted and a very pleasant
sense of character. He can spice up the musical meaning.
Corriere Valsesiano, 26.12.1975.
Deep bass, beautiful timbre and
expressive, meaningful performance proved to be the main tools in the
embodiment of the rebellious character of Attila, the king of the Huns.
M. Bjalik. Vetšerni Leningrad, 12.07.1978.
Inviting Mati Palm to "The Dutchman“
was a brilliant idea: one can sense fate and desolate breath of open seas in
his majestic figure. His voice is superb: sometimes thunder, sometimes
tenderness, just as needed. Most effectively did he carry out his rigid and
motionless role, probably required so by the staging.
Seppo Nummi. Iltä-Savo, 8.07.1981.
